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In a twist of historical irony that underscores the absurdity of Nazi racial ideology, Hessy Levinsons Taft, whose baby photo was unwittingly used as the ideal Aryan child by Nazi propagandists, has died at age 91 on January 1.

Born to Latvian Jewish parents Jacob and Polin Levinson in Berlin in 1934, Taft’s life became entangled with one of history’s most notorious propaganda machines when she was just six months old. Her parents had taken her to German photographer Hans Ballin for a routine baby portrait, unaware that this innocent act would lead to an extraordinary situation.

Without the family’s knowledge or consent, Ballin submitted Taft’s photograph to a national competition supervised by Joseph Goebbels, Hitler’s propaganda minister. The competition sought to identify the ideal Aryan baby – a child who embodied the supposed racial superiority that formed the cornerstone of Nazi ideology.

In a remarkable turn of events, Taft’s photograph won the competition, and her image was prominently displayed on the cover of “Sonne ins Haus” (Sunshine in the House), a Nazi family magazine. The Jewish baby had become, ironically, the poster child for Aryan racial “purity.”

The family only discovered this when their housekeeper recognized the baby on the magazine. Alarmed, Taft’s parents confronted Ballin about his actions. According to accounts reported in The Times, the photographer admitted he had “deliberately wanted to slip in the little Jewess” as an act of subversion against the regime – a dangerous form of resistance that could have had deadly consequences had it been discovered.

Fearing for their safety if authorities learned of the truth, Taft’s parents kept her indoors to avoid public recognition. The family lived with this dangerous secret until they fled Germany in 1938 for Paris, just as the Nazi persecution of Jews was intensifying across Europe.

Their journey to safety continued as World War II escalated. In 1941, the family escaped France through Spain and Portugal, eventually finding refuge in Cuba. Eight years later, in 1949, they immigrated to the United States, where Taft pursued her education at Barnard College before earning a master’s degree in biochemistry from Columbia University.

Taft went on to build a distinguished academic career, becoming a chemistry professor at St. John’s University. She married Earl Taft in 1959, with whom she had two children and four grandchildren.

The remarkable story of her baby photo remained largely private until 1987, when it was first publicly documented in Gertrude Schneider’s book “Muted Voices: Jewish Survivors of Latvia Remember.” In her own words, Taft described her unique place in history: “It is the story of a Jewish baby selected by loyal Nazis to serve as an archetypal example of the Aryan race, the theory which the Nazis’ leadership seized every opportunity to promote. I was that baby.”

In 2014, Taft donated a copy of the magazine featuring her photograph to Yad Vashem, Israel’s Holocaust memorial center. When asked what she would say to Ballin for his dangerous act of submission, she expressed appreciation: “I would tell him, good for you for having the courage.”

The donation to Yad Vashem held special significance for Taft, who told the Holocaust center at the time, “I feel a sense of revenge, good revenge.” Her story serves as a powerful reminder of the fundamental flaws in Nazi racial theory and the arbitrary nature of racial categorization that formed the basis of the Holocaust.

Taft’s life story stands as a potent symbol of resilience and historical irony – a Jewish child whose image was unknowingly used to promote the very ideology that would later seek to exterminate her people.

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12 Comments

  1. This story is a powerful reminder of the lengths to which the Nazis went to promote their distorted vision of racial purity. Using a Jewish baby as the face of their ‘ideal Aryan’ is a chilling example of the lengths they would go to in service of their hateful ideology.

    • It’s heartening to know that the family was eventually able to reclaim their daughter’s identity and expose the truth. Small victories like this can help counter the dark legacy of Nazi propaganda.

  2. Patricia E. Jackson on

    The fact that this Jewish baby’s photo was chosen as the ‘ideal Aryan child’ by the Nazis is deeply ironic and a testament to how flawed their racial theories were. It’s a chilling reminder of the dangers of hateful propaganda.

    • I wonder how the family must have felt when they realized their child’s image was being used in this way. It must have been incredibly distressing and unsettling.

  3. The fact that the Nazis’ ‘ideal Aryan baby’ was actually a Jewish child is a profound irony that speaks volumes about the absurdity and malice of their racial theories. This story is a cautionary tale about the dangers of unchecked propaganda and the importance of truth.

    • I can only imagine the mix of emotions the family must have felt – a combination of outrage, fear, and perhaps even a sense of grim amusement at the Nazis’ unwitting use of a Jewish child as their propaganda icon.

  4. Liam Hernandez on

    This story highlights the lengths the Nazis went to in pushing their twisted racial agenda, even going so far as to use a Jewish child as the embodiment of their so-called ‘Aryan ideal’. It’s a sobering reminder of the dangers of unchecked propaganda and demagoguery.

    • Elizabeth Lopez on

      It’s a relief to know that the family was eventually able to expose the truth and reclaim their daughter’s identity. Small victories like this help counter the dark legacy of Nazi ideology.

  5. Patricia Jones on

    This is an incredible story of irony and the absurdity of Nazi propaganda. It’s fascinating how this Jewish baby’s photo was used to represent the Aryan ‘ideal’ without the family’s knowledge or consent.

    • Isabella Johnson on

      It just goes to show how distorted and disconnected from reality the Nazi racial ideology was. Even their own ‘ideal’ was a Jewish child.

  6. Oliver Williams on

    The fact that the Nazis’ ‘ideal Aryan baby’ was actually a Jewish child is a profoundly ironic and disturbing twist in this story. It speaks to the willful disconnection from reality that underpinned their racial ideology and the lengths they would go to in service of their propaganda.

    • James Hernandez on

      I can only imagine the range of emotions the family must have experienced – from outrage and fear to perhaps even a sense of dark amusement at the Nazis’ unwitting use of a Jewish child as their propaganda icon.

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