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Veteran Actor Piyush Mishra Defends ‘Dhurandhar: The Revenge’ Against Propaganda Claims
Seasoned actor Piyush Mishra has joined the growing chorus of industry figures praising Ranveer Singh’s latest blockbuster ‘Dhurandhar: The Revenge,’ while firmly rejecting allegations that the film serves as propaganda.
Speaking at the inaugural Delhi International Film Festival, Mishra offered a passionate defense of the film, describing it as “actual cinema” with exceptional technical merits.
“There is a thin line between propaganda and cinema, like Dhurandhar. I liked Dhurandar a lot. There is a great screenplay in it. It is cinema, actually,” Mishra told reporters at the event. “So, you cannot say that it is a propaganda film. It is a film.”
The actor’s comments come amid ongoing debates about the film’s portrayal of sensitive geopolitical themes, which have sparked discussions across social media platforms and film critic circles. Such controversies have become increasingly common in Indian cinema, particularly with films that address national security or cross-border tensions.
‘Dhurandhar: The Revenge,’ directed by Aditya Dhar, has emerged as one of the year’s biggest commercial successes, drawing widespread acclaim for its technical execution, performances, and storytelling. The film serves as a sequel, following the storyline of Hamza, who assumes the role previously held by Akshay Khanna’s character Rehman Dakait. The narrative centers on Major Iqbal, who transitions into the primary antagonist.
The star-studded cast includes Sara Arjun, Arjun Rampal, Sanjay Dutt, Rakesh Bedi, R. Madhavan, and Gaurav Gera, among others, contributing to the film’s appeal across diverse audience segments.
Beyond Mishra’s endorsement, ‘Dhurandhar: The Revenge’ has garnered praise from some of the most influential figures in Indian cinema. South Indian superstar Rajinikanth expressed admiration for the film, while Telugu cinema icon Allu Arjun took to social media to share his enthusiasm.
“Just watched #Dhurandhar. A brilliantly made film filled with fine performances, the finest technical aspects, and amazing soundtracks. Magnetic presence by my brother @RanveerOfficial, he rocked the show with his versatility,” the ‘Pushpa’ star wrote.
Bollywood actress Alia Bhatt, who previously worked with Singh in ‘Rocky Aur Rani Ki Prem Kahani,’ also praised her co-star’s performance. “Jaskirat Singh Rangi and this moment…is everything,” Bhatt wrote, referring to Singh’s character. “The magic of the director and the actor in complete sync! Congratulations, Team Dhurandhar, for this historic run at the movies.”
Other notable industry figures who have publicly celebrated the film include Ram Charan, Karan Johar, and Kartik Aaryan, solidifying its status as a critically and commercially successful venture.
The film’s triumph represents a significant milestone for both Ranveer Singh and director Aditya Dhar. For Singh, it follows a period of mixed box office results and reestablishes his position as one of Bollywood’s most versatile leading actors. For Dhar, the success further cements his reputation as a filmmaker capable of blending commercial appeal with technical excellence.
As ‘Dhurandhar: The Revenge’ continues its successful theatrical run, the debate around its narrative and themes underscores the evolving relationship between Indian cinema and national sentiment—a complex dynamic that frequently emerges when filmmakers tackle politically charged subjects.
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9 Comments
It’s good to see industry figures like Piyush Mishra willing to defend films that tackle sensitive topics. Their perspectives can help provide balance and prevent knee-jerk reactions to perceived propaganda. A measured approach is important when evaluating this type of content.
The actor’s passionate defense of the film as ‘actual cinema’ with a ‘great screenplay’ is intriguing. I wonder what specific aspects of the filmmaking he felt were exceptional, beyond just the controversial subject matter.
Agreed, it would be valuable to understand Mishra’s perspective in more detail. Discerning genuine artistic merit from potential propaganda can be challenging, so his insights could provide helpful context.
Interesting to see the debate around the portrayal of sensitive geopolitical themes in Indian cinema. It’s a fine line between propaganda and genuine artistic expression. I’m curious to hear more about the technical merits of ‘Dhurandhar: The Revenge’ that Piyush Mishra praised.
Yes, these types of controversies seem to be on the rise, reflecting the complex and charged nature of these topics. It will be interesting to see how the film industry navigates this balance going forward.
As the film industry grapples with these issues, I hope there can be thoughtful, nuanced discussions that go beyond simplistic ‘propaganda’ labels. Movies that tackle complex geopolitical themes deserve a fair hearing on their artistic merits.
Piyush Mishra’s defense of ‘Dhurandhar: The Revenge’ as ‘actual cinema’ rather than propaganda is an intriguing perspective. It will be interesting to see how the film’s reception evolves as more people have the chance to evaluate it.
The challenges facing Indian cinema when it comes to portraying sensitive geopolitical themes are clearly complex. Mishra’s remarks demonstrate the need for nuanced discussions that go beyond simplistic labels of ‘propaganda.’
The ongoing debates around ‘Dhurandhar: The Revenge’ highlight the delicate balance filmmakers must strike when addressing national security and cross-border tensions. Mishra’s comments suggest there may be more to the film than meets the eye.