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The Melania Trump Documentary: Cinematic Propaganda in an Era of American Oligarchy

In a striking example of high-profile political cinema, Amazon’s new documentary “Melania” offers viewers a carefully choreographed glimpse into the life of the former and now returning First Lady. The film, which has received an unusual theatrical release ahead of its streaming debut, focuses on 20 days leading up to Donald Trump’s second inauguration in January 2025.

What’s immediately notable about this $40 million production isn’t what it includes, but what it omits. Missing is Melania Trump’s compelling life story – her upbringing in communist Yugoslavia, her modeling career across Europe, and her journey to America. Instead, viewers are treated to 104 minutes of place settings, hat ribbon selections, and carefully staged reflections delivered in Melania’s distinctive accent.

“Everyone wants to know,” Melania intones in voiceover, “so here it is.” But what exactly does the documentary reveal? The film positions Melania as simultaneously a regime loyalist, creative visionary, and symbol of America’s immigrant community – all while avoiding substantive discussion of her background or political viewpoints.

The documentary’s financial arrangements raise significant questions about its purpose. Amazon reportedly paid approximately $40 million for the rights, with $28 million going directly to Mrs. Trump. This transaction becomes more intriguing when viewers spot Amazon founder Jeff Bezos seated alongside tech magnates like Elon Musk, Mark Zuckerberg, and Tim Cook at inauguration events. The film inadvertently reveals the intertwining of political power and tech influence in contemporary America.

Director Brett Ratner, known for commercial hits like “Rush Hour” and “Tower Heist,” makes his return to high-profile filmmaking after his career stalled following sexual misconduct allegations in 2017 (which he has denied). The choice of Ratner, combined with Melania’s mention of Michael Jackson as her favorite musician during an interview segment, creates an uncomfortable subtext about redemption and forgiveness for powerful figures.

Throughout the film, Melania makes vague gestures toward inclusivity and the immigrant experience. “No matter where [people] come from,” she states, “we are bound by the same humanity.” Yet she refers only obliquely to her “country of birth,” mentioning Slovenia directly just once. Instead, the film parades other “successful” immigrants who serve the Trump administration, including French-born designer Hervé Pierre and Laotian-American designer Tham Kannalikham, who speaks of America as “really the American dream.”

This selective immigrant narrative stands in stark contrast to the Trump administration’s actual immigration policies, which have included family separations and aggressive deportation measures. The documentary’s portrayal feels particularly tone-deaf against the backdrop of ongoing social divisions in America.

When Donald Trump appears on screen, his charismatic presence provides relief from Melania’s carefully controlled persona. In one revealing scene after the inaugural Starlight Ball, Trump announces at 2 a.m. that he will immediately “begin straightening out the nation,” to which an event producer responds with fawning gratitude. This moment encapsulates the documentary’s underlying message of power and compliance.

The film blurs the line between documentary and fiction. Melania spends most scenes playing a staged version of herself, with shots composed with deliberate aesthetic precision. As the Trumps waltz on inauguration eve, a singer proclaims, “Glory, glory, hallelujah! His truth is marching on” – leaving viewers to wonder whose truth is being presented and to what end.

Released as America grapples with profound political polarization, “Melania” inadvertently positions the Trumps in historical context. Their lavish lifestyle amid national turmoil evokes comparisons to Marie Antoinette or other historical figures who remained isolated from social upheaval. The documentary will likely endure as a cultural artifact of an era when political propaganda merged seamlessly with entertainment.

“Melania” is currently playing in theaters nationwide.

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28 Comments

  1. Interesting update on Melania Review: Former First Lady Portrait Criticized as Empty Propaganda. Curious how the grades will trend next quarter.

  2. Interesting update on Melania Review: Former First Lady Portrait Criticized as Empty Propaganda. Curious how the grades will trend next quarter.

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