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Franz Ferdinand Condemns IDF for Unauthorized Use of “Take Me Out” in Military Video

Franz Ferdinand frontman Alex Kapranos has publicly condemned the Israeli Defense Forces for using the band’s 2004 hit “Take Me Out” in what he described as a propaganda video showcasing military operations against Iran.

Kapranos took to Instagram Stories on Saturday to express the band’s outrage after discovering their music had been featured in an IDF video without permission. The post showed the Scottish indie rock band’s anger at having their work associated with military action.

“These warmongering murderers are using our music without our consent,” Kapranos wrote. “This makes us both nauseous and furious. Kind of typical though, isn’t it? To strut up and take what isn’t theirs with a vile arrogance…”

The controversial IDF video, captioned “Operation Roaring Lion – this is how it’s done,” features footage of fighter planes and explosions on the ground, with an Israeli soldier narrating about recent airstrikes in Iran, all set to the band’s recognizable hit song.

The incident comes amid escalating tensions in the Middle East. On February 28, Israel and the United States conducted joint airstrikes across Iran that reportedly killed Supreme Leader Ayatollah Ali Khamenei and targeted hundreds of military and leadership sites. The operation, dubbed “Roaring Lion” by Israel, has triggered retaliatory attacks and raised fears of a wider regional conflict. Israeli Prime Minister Benjamin Netanyahu characterized the campaign as an effort to “put an end to the threat from the Ayatollah regime in Iran.”

This is not Franz Ferdinand’s first foray into political expression. The band has previously demonstrated their willingness to take political stands through their music. In 2016, they released “Demagogue” ahead of Donald Trump’s first presidential election victory, featuring pointed lyrics like “Those pussy-grabbing fingers won’t let go of me now.” Kapranos later described Trump’s victory as a “nightmare,” confirming the band’s comfort with expressing their political views.

The unauthorized use of music in political or military contexts has been a recurring issue for musicians. Many artists have objected to having their work associated with causes or organizations they don’t support, particularly when it comes to military operations or political campaigns. This incident highlights the ongoing tension between intellectual property rights and the digital ease with which music can be appropriated.

Franz Ferdinand is currently in the midst of a UK and European tour supporting their seventh album, “The Human Fear,” released last year. The tour includes an upcoming performance at London’s Brixton Academy on Wednesday. The album has received positive critical reception, with NME awarding it four stars and praising it as “a love letter to the idea of this band.”

In a recent interview with NME, Kapranos reflected on the band’s renewed relevance in the current music landscape. “Of course things go in and out of fashion, don’t they? At the moment there seems to be a hunger for a good band that can play; that have a rawness and complexity to them,” he said. “It’s the human energy that you only get from a set of people standing on stage and exchanging that between them.”

He added that while pop music has produced “great stuff” over the past decade, he believes it’s becoming “a bit stale,” suggesting that audiences are increasingly drawn to the authentic experience that live bands provide.

As of publication, the IDF has not publicly responded to Franz Ferdinand’s complaint about the unauthorized use of their music.

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