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US Military Leadership Condemns Netflix’s “Boots” as Pentagon Press Secretary and Show Creator Clash

A heated controversy has emerged between the Pentagon and Netflix over the new military-themed series “Boots,” with Pentagon press secretary Kingsley Wilson dismissing the show as “woke garbage” in an official statement to Entertainment Weekly.

“Under President [Donald] Trump and Secretary [Pete] Hegseth, the U.S. military is getting back to restoring the warrior ethos,” Wilson stated on October 16. “We will not compromise our standards to satisfy an ideological agenda, unlike Netflix whose leadership consistently produces and feeds woke garbage to their audience and children.”

Set in 1990, “Boots” follows Cameron Cope, a closeted gay teenager portrayed by Miles Heizer, who impulsively joins the Marines to follow his enlisting best friend, despite the military’s ban on gay service members at that time. The show explores the challenges faced by LGBTQ+ individuals in the military during the “Don’t Ask, Don’t Tell” era.

Creator Andy Parker has strongly pushed back against the Pentagon’s characterization, defending his work in an October 24 interview with Vanity Fair. “I certainly never set out to make anything that was propaganda, and I really reject the idea that it is,” Parker stated. He suggested that criticism from both conservative and liberal viewpoints indicates the show’s nuanced approach.

“The fact that we seem to be situated between these two different sides is evidence of how the show wants to approach these really thorny, interesting questions,” Parker explained. “[Boots] is trying to navigate this in a nuanced way that isn’t so overtly strident in its attacks or in its politics. I think it’s after something more subtle.”

Parker expressed doubt that Pentagon officials had actually viewed the series before condemning it. “I’d be very surprised if the Pentagon actually watched the show,” he said, clarifying that his intention was not to present an “unblemished view of the military” but rather to focus on “the human experience of what it feels like for these guys in this particular time and place.”

The controversy highlights ongoing tensions between the entertainment industry and military establishment, particularly regarding depictions of LGBTQ+ service members. The current administration has taken a more conservative stance on military culture compared to previous years when LGBTQ+ inclusion policies were expanded.

Parker also touched on contemporary relevance, noting, “There’s politics involved in all of these questions — what’s happening to trans people now, and the policies that are being inflicted on trans service members now.” While “Boots” does not feature transgender characters, Parker’s comments suggest the show aims to contribute to broader discussions about military inclusion.

This dispute occurs against the backdrop of America’s evolving military policies regarding LGBTQ+ personnel. After decades of restrictions, the “Don’t Ask, Don’t Tell” policy was repealed in 2011, allowing gay, lesbian, and bisexual individuals to serve openly. More recently, policies regarding transgender service members have become political flashpoints between administrations.

The public clash between a major entertainment platform and military leadership reflects deeper cultural divides in American society regarding values, inclusion, and the purpose of military service. As streaming services continue to produce content exploring complex social issues, such conflicts between artistic expression and institutional positions may become increasingly common.

Neither Netflix nor the Department of Defense has issued further statements regarding the controversy.

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10 Comments

  1. The controversy around “Boots” touches on some sensitive and complex issues. It will be important for all parties to approach this discussion with nuance and a willingness to understand different perspectives.

    • Given the military’s significant influence, their critique of the show carries weight. However, the creator’s defense of the show’s authenticity also deserves a fair hearing.

  2. Interesting to see the controversy around this military-themed show. Seems like there are differing views on whether it portrays an accurate or ideological depiction of the past. I’m curious to see how the debate plays out.

    • Elizabeth Johnson on

      The creator’s response defending the show’s authenticity is noteworthy. It will be interesting to see if the Pentagon’s critique holds up under further scrutiny.

  3. This debate around “Boots” highlights the ongoing tensions around how the military is portrayed in media. I can understand both sides wanting an accurate representation, but it’s a complex issue with room for differing perspectives.

    • Robert K. Lopez on

      Given the sensitive nature of this topic, I hope both sides can engage in a constructive dialogue to find common ground, rather than simply trading accusations.

  4. Jennifer Miller on

    This clash between the Pentagon and the show’s creator highlights the ongoing debate around the portrayal of the military in popular culture. Both sides seem to have strong views, and it will be worth following how this unfolds.

    • The term “woke garbage” used by the Pentagon is quite loaded. I hope the discussion can move beyond inflammatory language and focus on the substantive issues at hand.

  5. The Pentagon’s dismissal of the show as “woke garbage” seems like a rather strong and divisive reaction. I wonder if there are valid concerns about historical accuracy or if this is more about ideological differences.

    • It will be interesting to see if the creator’s defense of the show’s authenticity can withstand further scrutiny from the military. Open and respectful debate is important here.

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