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Warner Bros. dominated the 98th annual Academy Award nominations announced Thursday, securing an impressive 30 nominations across its film slate, led by standout performances from “Sinners” and “One Battle After Another.”
The studio’s “Sinners” emerged as the most celebrated film of the awards season with 16 nominations, while “One Battle After Another” followed with 13 nods. This remarkable showing places Warner Bros. far ahead of its competitors in the race for Oscar glory, with the awards ceremony scheduled for March 15 in Los Angeles.
This year’s best picture nominees have collectively generated nearly $1.4 billion at the global box office, according to data from Comscore, demonstrating the commercial viability of critically acclaimed filmmaking despite industry challenges.
“F1,” distributed by Apple, stands as the highest-grossing nominee with $631.7 million worldwide, including $189.6 million domestically. The film secured four nominations, marking a significant achievement for the streaming company’s theatrical release strategy.
Warner Bros.’ “Sinners” proved both a critical and commercial success, earning $368.3 million globally while receiving the most nominations. This performance is particularly notable in an era when prestige films often struggle to find wide audiences.
“One Battle After Another,” also from Warner Bros., has generated $206.1 million globally on its way to 13 nominations, further cementing the studio’s dominance this awards season.
A24’s “Marty Supreme” received nine nominations and has performed admirably at the box office with $100.5 million worldwide. The indie studio has established itself as a consistent awards contender, securing 11 total nominations across its slate.
Several critically acclaimed but commercially modest films also received significant recognition. Focus Features’ “Bugonia” earned four nominations despite its limited $38.8 million global haul. Similarly, “Hamnet” secured eight nominations with just $28.2 million in worldwide receipts.
Neon, a boutique distributor known for championing distinctive filmmaking voices, emerged as the second most nominated studio with 18 total nominations. Its “Sentimental Value” earned nine nominations despite modest box office returns of $4.3 million domestically, while “The Secret Agent” received four nominations with only $2.6 million in domestic ticket sales.
Netflix continued its aggressive pursuit of Oscar recognition with 16 total nominations. The streaming giant’s “Frankenstein” received nine nominations, while “Train Dreams” earned four. As is customary for Netflix, no box office figures were reported for either title, as the company prioritizes subscriber engagement over theatrical revenue.
The nominations reflect the evolving landscape of film distribution, with traditional studios like Warner Bros. competing alongside streaming platforms and specialty labels. This diversity of business models has expanded the types of films receiving Academy recognition, from commercial blockbusters to more artistically ambitious projects with limited theatrical footprints.
Focus Features ranked fourth among studios with 13 nominations, followed by A24 with 11, and Apple with 6. Traditional powerhouse Walt Disney secured 4 nominations, while boutique distributors GKIDS and Sony Pictures Classics each received 2 nominations.
The box office performance of this year’s nominees suggests that quality filmmaking can still find audiences, even as viewing habits continue to evolve. The presence of streaming-first companies like Netflix and Apple among top nominees indicates that the Academy has fully embraced the changing distribution landscape.
As the industry approaches the March ceremony, all eyes will be on whether Warner Bros. can convert its nomination dominance into actual Oscar wins, potentially reshaping studio priorities and greenlight decisions for years to come.
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12 Comments
The global box office haul of nearly $1.4 billion for the best picture nominees is quite impressive. It’s a testament to the enduring appeal of well-made movies.
I’m curious to see if the box office performance of the nominees will factor into the Academy’s voting decisions.
Warner Bros. really dominated the nominations this year, especially with “Sinners” and “One Battle After Another.” It’ll be exciting to see how they do at the awards ceremony.
The box office numbers suggest audiences are still hungry for high-quality, critically acclaimed films, which is great to see.
It’s always fascinating to analyze the commercial performance of Oscar-nominated films. The data suggests audiences are still interested in quality cinematic experiences.
I wonder if the streaming release strategy for some nominees will become more common in the future as the industry continues to evolve.
The domination of Warner Bros. in this year’s Oscar nominations is quite remarkable. It’ll be exciting to see how their films perform on the awards night.
The strong box office performance of the best picture nominees is a heartening sign for the future of cinema.
The box office numbers for the best picture nominees are a positive sign for the film industry. It shows that audiences are still willing to support thoughtful, well-crafted movies.
It will be interesting to see how the Academy weighs the commercial and critical success of the nominees when determining the winners.
Interesting to see how the Oscar-nominated films have fared at the box office. It’s a good sign that critically acclaimed movies can also be commercially viable, even in challenging industry conditions.
I wonder if the streaming release strategy for some nominees like “F1” has helped drive their commercial success.